this is the first issue of sunbow’s webzine, and we are so thrilled to share our amazing community’s work with you online.
webzine i01: autumn 2021 is a collection of visual art, poetry, and short stories from young artists across the world.
no theme. just you.
*designed to be viewed on a computer
Homeborn
TÀBITHA ALFARO
How do you explain your reality
to all of those who have yet
to experience its deceit?
This side of your skin,
as thick as your will
and filled with bravado,
takes providence
and thieves at
remembrance,
yet what it steals
will not be missed,
for your vision
that lays hidden
stays in fear
of all the loss
and the release
that it befalls
For it has seen fire
and it has seen war,
greeted death
straight at its door,
sunken ships
and drowned outlaws,
transformed all memories
into sights of long tortures,
and now the steps
in which you wait
have long been gone
from yours—
a flash burn, homeborn.
Pangea
RHIANNON HIGGINS
The shores of every continent were once lip-locked in a vice grip
Rocky teeth against rocky teeth clashing passion in a pact to make mountains
I wonder if they ever miss the salt lick taste of each other
Silt carried from Brazil
Bushing up ever so briefly against Nigeria's
Parted lips. she opens wider
Still and ends up with a mouth full of the atlantic
You remind me of hips jutting out from a hungry man and
The curve
From shoulder to neck
A pointy nose and an eye socket
But if I look any closer there's just pastry crumbs and
Dead flies in a pool filter
If I admit how small I feel
Compared to you
Will you finally say that
It makes no difference?
That even giants have gods
To worship while catching waterfalls in their hands
I know that time once made you tower and swell with children
Back when being whole wasn't something you could
Brag about
Back when a millions years just added more bones to your bedrock
And here I stand at the end of this cosmic calendar year
Pressed firm to your stomach
Feeling the vibrations from
Fracking that slurps oil from your veins
And you know,
You don't seem particularly small
To me
40 hours
Of work breaks me down to my core and I still decide to wake up
In the morning. Some
Love can endure the restless lick of erosion, we
Were all born to be weathered
I take on the shape of each new hand holding me bending bones to the will of gravity but
Where did you learn to steer clear of grief like an ocean liner?
All I ever wanted was to learn from
The paved road I walk on
Can you still hear her voice when she calls to you, nightly?
Do you still choose to answer?
CARLY BROWDY
Pepper
MOLLY ZHU
On the glossy webpage, I watch my body become a slot machine.
For each way that I am hunted, there are stiff, cold dollars to be made
and may this be a survival story,
I think as I find a weapon for my hips and my breasts
and the skin I can never shed. I place a bulk order.
Weeks later, I bring my security clenched in coiled fists
for my girlfriends at a dinner in a trendy rooftop bar
where the couches are pastel and velvet like oversized gumdrops
and we are living breathing young women
walking in a treacherous world. I forget
this sometimes because it’s simpler not to remember. We giggle
when I pull them out because they are hot pink
like a plastic lawn flamingo or a summer nail polish and
obvious in a way we hope that we are not,
when riding the train late at night, walking on the uneven, shifting
streets, when a man we don’t know sidles up to us
on the corner like a concrete wall, when we feel eyes pouncing on our
shoulder blades (but we pretend we don’t)
and walk faster, more directly, clutch our keys, grit our jaws,
stare defiantly ahead, make ourselves invisible, switch
to the next subway car, stay always indelibly colored
in fatality.
Vertigo Girl
RICHELLE AGOR
Tell me about vertigo girl.
Tell me about that night, begin it softly. Begin it with a whisper, so no one will hush you. They’ll try to.
Tell me how she kissed you hard and rode her bike home. Remember how she tasted like two-dollar cherry lip gloss and the look of her arms. Thin-boned, freckles placed graciously, made of marble. Remember it this way exactly.
Say you were fifteen and you feel like these moments with her are the only ones that matter. It was a Thursday and you didn’t know why you felt this way, you were only fifteen after all. Maybe you felt that way because you were fifteen.
Believe that you sent her home with a rose and a curse.
Tell me what comes after like it was a morbid little dream, something you would conjure up after watching a scary movie. Picture her under the streetlights, muted and pushing the pedals of her bike with the power of stones, lungs drowning in panic. Know that you will think of her this way for the rest of your life.
Your guilt flat on the wall, speak of him, the man you swear is made of granite. He has to be, doesn’t he? If he’s not, your vertigo girl would still be here. She would still have you spinning until you don’t know who you are. Speak of how he caught the “no” as it tumbled from her mouth, how he shoved it back in her throat.
This man of Stonehenge. Stone-bloke who makes the ground swallow her. Recite his threats, love her last words. Swirl it around, let it sit in your mouth. Taste it, taste the cherries.
Do not dare know he left her left one block away from her house, three blocks away from yours. Your guilt will seep through the wall, drop onto its healthy bones.
Now, tell me how they found her body in the lake nearby and how no one could sleep. Not even me. Prattle on about how the body bag dampened as they pulled her out of the water, how it was late and the local news played like a song.
Tell me how you knew it was her without a name, with cherries still on your lips. You saw the sky through the windowpane, with its moon and curtain of bruises, stars as million pale pills. Behind it, a cruel universe bloated. You cried to God as if he was to blame. As if not him, then it has to be her. Her clothes, her age, the way she rode her bike, will be put down as the cause of death, the coroner without sympathy.
Pretend that we’re the killers, maybe then vertigo girl could let us say we’re sorry, even if we’re not because we never are. Because maybe every girl is her. Maybe they are all soft tragedies, hoping to simply be a woman in a way a man can just be a man. Maybe they are just stubborn things who can only be nothing more than what a man does to them. Maybe they are all just man-made martyrs, the only difference between them being a slit throat.
Picture the funeral, the colors homely as you made conversation with your math teacher, humor me with the fact he stopped assigning pop quizzes in her honor.
The portrait they placed next to the casket made her face small. Her body in the casket made her look like she's only ever suffered.
Maybe she’d still be kissing you if she rode her bike back home when it was noon.
Tell me how she was an avoidable news report, though many will say otherwise. They say otherwise because it makes them comfortable, that her death was inevitable, it gives them a reason to ignore and excuse the nasty, nasty things about this world, how she is nothing but a warning, what happens to a woman when she’s kind, when she says no, though she’ll be wounded anyway if she is not, if she doesn’t. Tell me that this is the price for being a girl.
Tell me that this will ruin us and we’ll get used to this. Tell me there’s a grave where a girl should be. Tell me there’s a hole where my heart should be.
End it quickly, for the next story. End it with a kick. For the next vertigo girl. There’s always another vertigo girl.
NINA SIKANDAR
Purple
OLIVIA RAY
The clouds are already marbled with pink. Sunset has been slowly trickling downwards and darkness is coloring in the remains with it’s dark paintbrush. Stars are starting to pop up. I like to imagine in the silence that somewhere up in space they are making tiny fizzy pops as they appear. Though I know that’s not scientifically possible. Still, it’s amusing to think like that.
I think it’ll be a soft, gentle night. We don’t always get those so I thank those fizzing and popping stars for blessing me a good view down into the village. When it’s foggy, like most evenings, I can get a fuzzy view of distant civilization. Golden cities and festivities down below; people smiling. I think Mariette said something about a fair.
She doesn’t often leave our home, but when she does, she promises she’ll be back soon. She’s never gone for more than a day; she hates when I’m lonely. But I have dear Ink Splat to keep me company. And I have my window that’s now growing dark. I strain to see the differences between the leaves of one oak and the next one over.
The oak had a pair of birds in it a few days ago and their nest is growing. Just a few more strands of string, bundles of twigs, and whatever material they can find and the family will grow. A tender sort of sadness catches on when I think of family.
I’m lucky I’m inside though. Those poor birds must be frozen out there in the chill of the moon now rising above the wispy clouds. It’s not as dark as one would assume; it’s almost full moon, maybe it will be tomorrow. I should ask Mariette, she’d know. Everything is coated in blue.
I don’t like blue. Though Mariette insists blue is my color, I prefer to dress in non constricting whites. Blue makes me feel close to the ground. Gravity is blue. It makes the weight of everything sink into me and sometimes I can’t breath.
Night is purple. Though I know, because Mariette has taught me, that blue mixed with red or pink makes purple, I don’t care. Purple is the color of grace, peace, serenity. Night isn’t a perfect purple like in Mariette’s work, but I like to imagine her paintbrush coating the sky’s blueness with a sweeter shade. I think thoughts like that make the darkness more manageable. Especially when the blues disappear and I am left with the blackness and pinprick dots. The deep neverending darkness scares me more than the blue. There’s a hole in the sky, the moon. Sometimes the moon scares me. What if it crashes? Doesn’t gravity cause things to crash?
Mariette says that’s absurd, the moon is actually growing further away from the Earth. I don’t understand, but I also would rather talk of other things. And more importantly think of other things. I hold Ink Splat close to me when Mariette is gone and it is a deep blue night covered with fog. I’m worried I’ll lose the village lights in the fog and therefore I’ll lose Mariette in the fog and then I’ll be stuck in a soon decaying, darkening, blue room. It keeps me up during the night.
I think too much. I know. But when you are used to being stationary, it’s hard not to just let your mind wander. I sometimes forget to move all day.
But always a sudden, sharp sound jostles me from myself. Like now, the door has just shut with a sound softer than a slam. But it’s still aggressive.
“It has been a day,” are the first words to escape Mariette’s lips as she comes into the Studio. My nods are subtle, her tiredness is blunt. And she finds my face and stares into my eyes.
“I missed you,” She says. Her own eyes are darkened in the faded lights. I never keep the lights fully on. Only when it starts to get blue outside, then I turn them on. The buzz of electricity is distracting; I prefer when she used to use candle light.
“I missed you too,” I say. She loves this; I can tell by how her cheeks blossom and I’m reminded that I love purple because pink takes away the sadness of blue.
A gentle hug. How I missed her soft hugs and the smell of smoke and lavender. When we break apart, she dreamily gazes at me, letting her eyes wander. She stops.
“Oh no,” her voice mixed with concern and exhaustion. “What happened?” She’s noticed the crack along my left shoulder.
“Clumsiness,” I shrug. “I guess I’ve spent too much time with Inky.” Her chuckle is only half hearted. Her blush has disappeared and suddenly her dark skin has lost its earlier glow.
“Hey sweetie, I’m really okay.”
She wanders to my welcoming arms. She is tired. There’s still black ink on her chin and covering the freckles on her nose. I lower her to the ground, still in my arms. She’s so fragile, even more fragile than me if that’s hard to believe. I kiss her forehead.
“It’s going to be ok, you’ve had a long day. Rest.”
“No.” She’s sharper. “Let’s fix you first.”
Oh my Mariette, always putting others first. It is only a small crack, but I know she’s scared it’ll grow. But Ink Splat is not worried; he mews at my legs until I pick him up into my arms. Mariette leads me to the desk where I sit, Ink Splat in my lap and my legs dangling off.
“Mariette?” She’s so focused, but the question has been on my mind all day and I need to ask her or I’ll think myself into more cracks. “Mariette?”
She finally lifts her head from her patchwork. She has out rice flour and has been making a mess upon the desk. Her hands are shaky and she looks to be close to tears. My question will wait.
“Never mind.”
“No, please,” She says, desperation on those chapped lips. She’s so very tired, she’s working too much. She’s out of the house more and more to support the two of us. And I just sit here, in frozen silence.
“Why am I still with you?” The question is soft, uneasy, and I await the reaction.
A cover of silence the shade of the cold ocean that I have only heard of but never seen. I imagine it sounds like cymbals crashing against the rocks. I wonder if tears could sound like that if they ever grew to be as big as the ocean.
And I watch Mariette’s expression shift from simple and plain exhaustion to pain. It starts in her eyes and spreads to the rest of her body as her thoughts catch up. Suddenly she is a bullet embedded in my chest as her tears run across my marbled body. Her sobs echo in the emptiness of the Studio.
“I never want you to leave.”
“I know.” Soft.
“Please don’t leave.”
“I won’t.” Softer.
“I need you.”
“I know.” Softer still.
“I can’t be lonely again.”
She leans into my harder body with her softer one, hugging me to her as if I was water in a desert. Sucking me in with every pained sob. All I could do is hold her and wait for it to past. I don’t like the blue. But I hope that I can take it away from her.
This is a routine every night.
RANI GREENBERG
My lover knew her truth,
Still, she’d humor me so.
Repeating the same few stories of miracles,
While we prayed for her not to go.
The prayers which gave us hope,
God, I miss the feeling.
But when hope is nothing but a word,
It seems a bit less appealing.
She wanted me to keep my faith,
Even when the world would crumble.
I wanted her to stay by my side,
Even when her voice was but a faint mumble.
Now I attend her funeral,
A funeral I couldn’t plan.
Because people had so much faith in something,
That I’m punished for not loving a man.
Her words play in my mind,
“Look for me in the trees.”
Do I focus on the gravestone,
Or the sunset colored leaves.
Her strung out cries, mere a whisper,
Her struggling to breathe.
Am I lying to myself,
Or is there something to believe.
Glittering
EMMA SWEENEY
Like glitter through the leaves,
The sun dancing down,
The wind tickling the branches,
The blue sky peeking unbound.
We cycled through the forest once
On this long trip North,
Through tens of miniature villages.
The smell of the pines pulling us forth.
The crunch of the tyres
Demolishing the silence of the trees.
The pine needles flattened
In the stiff, hot breeze…
And now I miss how things
Used to be.
Before the moon cast away
The spirits of our play.
mirror 1000 times reflected
CASSY STEUERWALD
lately, i find myself writing lists
of all the things i’d like
to tell you—
kicking through a river of discarded words
as i stiffly waltz this length of hardwood,
there is a gap where my hands should be.
find myself calling out
to the shape of you.
the dead air raises its hand and
cups my face,
the ghost of rose petals forming in my stomach.
i’ve forgotten how we used to fit together
as if there were no lines dividing our form
no unfortunate barrier of molecule
there is skill in the ability
to reach out and find something solid to hold
i awake with paper in my mouth,
fresh soil, like a question mark
salted at each entrance of our empty home.
Do you ever catch yourself destroying the features you used to love?
ZEIDEN MARSHALL
How late was it that you notice the blood dripping from your delicate finger nails?
Was it the metallic taste on your tongue that altered you?
Or the cardinal tint your finger prints left behind?
When you plucked out each eyelash oh-so carefully were you intending that malice aimed at your younger self?
The one who would watch the boys —always named Isaac— whose eyelashes, long and dark, you would admire
so desperately you’d wish that was you.
Did you recall your astonishment when you looked at the mirror and realized it was?
So,
Was it all coincidence?
Or malice?
A coincidence from afar (the place you always like to view decisions),
But intention from within.
Actions from a subconscious mind that remembers
Enacted by a conscious mind that does not.
Like father, Like son
MADELEINE CASO
where is the mother,
may she not reap her reward?
for nine back-breaking months of blisters and bloating,
for nurture and milk,
and the sleepless, sexless nights?
may she not get thanks for this,
Upstanding Young Gentleman.
after dinners and bath times and the 8 am school run?
where is the boy who’d insist on a nightlight,
who cried for an hour when he stepped on a beetle?
we held him a funeral,
the bug not the boy.
soil over shoebox,
Mummy Will You Say a Few Words?
about innocence and joy and a long life well lived,
my boy, my boy,
can’t you see I meant you?
a credit to his father,
within the corporate world.
Daddy’s Money, not mine,
that paid for the suit and loafers and tie.
crisp leather wallet and a cold detached tone,
a chip of the old block or so the story goes.
like father, like son,
like mother like daughter,
you can throw a dog a bone,
or lead a lamb to slaughter.
background image by LAURA SOFIA
clementine
MIA GALAN
She peels you apart like a ripened tangerine.
She takes you between her teeth, pulls your flesh apart beneath her canines.
Her fingers run across the ladders of your scars like she’s testing guitar strings, easily and void of apprehension.
Her eyes chart out the freckles on your spine, and she makes a map of their constellations.
Her mouth grazes your ear, and bathed in the yellow half-light, she whispers,
I chase absolution by burning things down with my hands.
You feel her palms press into the desiccated cavern of your chest.
Your lungs swell with the air she pushes into your mouth.
She is ambrosia gifted to the dying man.
Perhaps death by flame is something you don’t quite mind.
Ignite me, dear. I would burn forever for you.
Out of Body
TEAGUE JOHNSON
Here is the first big storm
of the year, anxious and unraveling within
the warm gut of the clouds. I see myself
in different places:
standing at the window
fetal on my bed
levitating in the kitchen
and I can’t decide where I look
the nicest. I clean up a bit,
I carve the soap with my fingernails, watch the
slivers melt to suds in the sink.
An imprint of a girl I love
is barely breathing between my sheets.
I try not to think of it. There is a stark
yellow beam that flings
itself into the room from outside. The sky cries
out shortly after,
offers itself
in place of the beam. It reminds me
of what I said in the half-light
over her body and sometimes the world is fair
but it is not up to me.
It is not up to me.
I melt away for a moment, into the
sink with the soap.
Come back,
try not to think of it. I go on.
seven shades
LILLIAN BLOOM
i have been comparing myself
to other girls
as if we are not all gemstones
as if we are not all opals
refracting the already vibrant light
and splitting it, with atomic axes,
into its rawest form,
into its seven shades
throwing them upon the floor and
up the trunks of trees like violet vines
or emerald hands
we are all prisms, we are not
the spectrum, no, we are its master
we are unbound
by space, or time, or color
we are the purity that offers both
warmth and frigidity,
both scarlet and fever,
both blue and black,
both heart throb and heart attack
we are the electricity traveling to your head
along the river of your back
i have been comparing myself
to other girls
as if we are not all otherworldly
as if we are not all from different galaxies
forged from stardust, from clusters of nebulas,
from the dark matter lacing the constellations,
from lacerations in existence, from wormholes
those timeless cervixes where seconds are stretched like taffy
like superlatives
in the back of a yearbook
we are all sweet, all spice, all savory
in unmeasurable ways
one cannot pour our flaws into an hourglass
nor crush us into a pulp and turn us to wine
nor sift through our beauty with a colander
so they can pick their favorite pieces out
they cannot pluck our tides from the calendar
for our tides are what govern the days
i have been comparing myself
to other girls
as if we are all marbles
hurtling down the same mountain
as if we are an avalanche of glass
but this is so far from the truth
the truth is somewhere
outside what is possible
outside what is scientific
the truth is
we are all more beautiful than beauty itself
we are all stars,
sending our alluring twinkle
from a million years ago
like a kiss blown from space to earth
and no matter what occurs below
we still glow
sometimes with delight,
sometimes with rage,
sometimes with deafening demureness
and if you hold me up to another girl
put two gemstones side by side
you will find we are beyond comparison
you will see us trading rainbows
playing catch with the light
and you will find that so much more beautiful
than either of us alone.
Liquid Smarts
Full of liquid smarts I dance,
between the fan and radiator,
each on, each changing nothing.
With a stomach full of tug and pull
I roll along horizontals, parallel
to shooting stars and falling ice
and I’m dancing in the window
thinking of the flowers turning
their faces towards missing
pains and rotten wooden frames
which leak through new paint.
I’d be nothing without liquid love;
my liquid luck, my liquid lease.
I sap below myself for an edge of glass
a timber spine, that makes a window into
My last lines and first thoughts. Where
the panes are broken I can’t hide my
dance from flora as they’re wrapped
in grass and laughs. I turn the fan off,
the radiator’s cold: My bedroom twists
like sand poured into a cement mixer
and like that sand We are dust
until set and we dance in the drum.
I’m told, the flowers watch the sun,
which passes over my head every afternoon.
I would darken it, just to know if
she is watching me spin by my window.
POEMS BY CYRUS LARCOMBE MOORE
Crab lunch and a boat tour
crabs are tender when boiled,
and sweet when grilled.
It was good fish.
we caught them off concrete piers,
that was good too.
It was a good day.
A breeze spiralled to the south;
the sky was as blue as my first bedroom
and the air was salty,
and our dinners were good.
Two o’clock rolled around,
with a pretty boat and a broken table.
We looked out for herring gulls that afternoon;
played cards on the Vanity
drinking bottled water.
There was a man in a blue hat.
Wore a coat that matched the sand.
He seemed to lose his head and legs,
a floating face and hands.
But one cloud marred the airspace of his hat,
sitting thumbs width above the skyline.
A heron shared the same beach
as that man and the sand.
(Please tip the guide - on the side of a jar)
He waved, so did I
and he sat on a tree left to brine.
The boat began to spray
and the tourists looked so smug.
the man across me had a tattoo round his finger.
He looked only at a sea canoe -
never at his partner - with yellow oars.
He closed his eyes;
I think he had bumper sticker envy.
Slow now no wake.
Simple, easy to be envious.
HUNTER HERBERT
Purple
OLIVIA RAY
The clouds are already marbled with pink. Sunset has been slowly trickling downwards and darkness is coloring in the remains with it’s dark paintbrush. Stars are starting to pop up. I like to imagine in the silence that somewhere up in space they are making tiny fizzy pops as they appear. Though I know that’s not scientifically possible. Still, it’s amusing to think like that.
I think it’ll be a soft, gentle night. We don’t always get those so I thank those fizzing and popping stars for blessing me a good view down into the village. When it’s foggy, like most evenings, I can get a fuzzy view of distant civilization. Golden cities and festivities down below; people smiling. I think Mariette said something about a fair.
She doesn’t often leave our home, but when she does, she promises she’ll be back soon. She’s never gone for more than a day; she hates when I’m lonely. But I have dear Ink Splat to keep me company. And I have my window that’s now growing dark. I strain to see the differences between the leaves of one oak and the next one over.
The oak had a pair of birds in it a few days ago and their nest is growing. Just a few more strands of string, bundles of twigs, and whatever material they can find and the family will grow. A tender sort of sadness catches on when I think of family.
I’m lucky I’m inside though. Those poor birds must be frozen out there in the chill of the moon now rising above the wispy clouds. It’s not as dark as one would assume; it’s almost full moon, maybe it will be tomorrow. I should ask Mariette, she’d know. Everything is coated in blue.
I don’t like blue. Though Mariette insists blue is my color, I prefer to dress in non constricting whites. Blue makes me feel close to the ground. Gravity is blue. It makes the weight of everything sink into me and sometimes I can’t breath.
Night is purple. Though I know, because Mariette has taught me, that blue mixed with red or pink makes purple, I don’t care. Purple is the color of grace, peace, serenity. Night isn’t a perfect purple like in Mariette’s work, but I like to imagine her paintbrush coating the sky’s blueness with a sweeter shade. I think thoughts like that make the darkness more manageable. Especially when the blues disappear and I am left with the blackness and pinprick dots. The deep neverending darkness scares me more than the blue. There’s a hole in the sky, the moon. Sometimes the moon scares me. What if it crashes? Doesn’t gravity cause things to crash?
Mariette says that’s absurd, the moon is actually growing further away from the Earth. I don’t understand, but I also would rather talk of other things. And more importantly think of other things. I hold Ink Splat close to me when Mariette is gone and it is a deep blue night covered with fog. I’m worried I’ll lose the village lights in the fog and therefore I’ll lose Mariette in the fog and then I’ll be stuck in a soon decaying, darkening, blue room. It keeps me up during the night.
I think too much. I know. But when you are used to being stationary, it’s hard not to just let your mind wander. I sometimes forget to move all day.
But always a sudden, sharp sound jostles me from myself. Like now, the door has just shut with a sound softer than a slam. But it’s still aggressive.
“It has been a day,” are the first words to escape Mariette’s lips as she comes into the Studio. My nods are subtle, her tiredness is blunt. And she finds my face and stares into my eyes.
“I missed you,” She says. Her own eyes are darkened in the faded lights. I never keep the lights fully on. Only when it starts to get blue outside, then I turn them on. The buzz of electricity is distracting; I prefer when she used to use candle light.
“I missed you too,” I say. She loves this; I can tell by how her cheeks blossom and I’m reminded that I love purple because pink takes away the sadness of blue.
A gentle hug. How I missed her soft hugs and the smell of smoke and lavender. When we break apart, she dreamily gazes at me, letting her eyes wander. She stops.
“Oh no,” her voice mixed with concern and exhaustion. “What happened?” She’s noticed the crack along my left shoulder.
“Clumsiness,” I shrug. “I guess I’ve spent too much time with Inky.” Her chuckle is only half hearted. Her blush has disappeared and suddenly her dark skin has lost its earlier glow.
“Hey sweetie, I’m really okay.”
She wanders to my welcoming arms. She is tired. There’s still black ink on her chin and covering the freckles on her nose. I lower her to the ground, still in my arms. She’s so fragile, even more fragile than me if that’s hard to believe. I kiss her forehead.
“It’s going to be ok, you’ve had a long day. Rest.”
“No.” She’s sharper. “Let’s fix you first.”
Oh my Mariette, always putting others first. It is only a small crack, but I know she’s scared it’ll grow. But Ink Splat is not worried; he mews at my legs until I pick him up into my arms. Mariette leads me to the desk where I sit, Ink Splat in my lap and my legs dangling off.
“Mariette?” She’s so focused, but the question has been on my mind all day and I need to ask her or I’ll think myself into more cracks. “Mariette?”
She finally lifts her head from her patchwork. She has out rice flour and has been making a mess upon the desk. Her hands are shaky and she looks to be close to tears. My question will wait.
“Never mind.”
“No, please,” She says, desperation on those chapped lips. She’s so very tired, she’s working too much. She’s out of the house more and more to support the two of us. And I just sit here, in frozen silence.
“Why am I still with you?” The question is soft, uneasy, and I await the reaction.
A cover of silence the shade of the cold ocean that I have only heard of but never seen. I imagine it sounds like cymbals crashing against the rocks. I wonder if tears could sound like that if they ever grew to be as big as the ocean.
And I watch Mariette’s expression shift from simple and plain exhaustion to pain. It starts in her eyes and spreads to the rest of her body as her thoughts catch up. Suddenly she is a bullet embedded in my chest as her tears run across my marbled body. Her sobs echo in the emptiness of the Studio.
“I never want you to leave.”
“I know.” Soft.
“Please don’t leave.”
“I won’t.” Softer.
“I need you.”
“I know.” Softer still.
“I can’t be lonely again.”
She leans into my harder body with her softer one, hugging me to her as if I was water in a desert. Sucking me in with every pained sob. All I could do is hold her and wait for it to past. I don’t like the blue. But I hope that I can take it away from her.
This is a routine every night.
Rotten Core
LUCIE
I’m sorry you didn’t know until it was too late
You took a bite of me, red and inviting
Only to find rot eating me from the inside out
Poisoned core with sickly sweet smell
With that dying sugar on your tongue
Dear, I don’t blame you for spitting me out
I just wish you’d thrown me in the garden
Instead of the trash
So that at least then I could decay in good company
Leave my rotting body for something greater
The sickness that ate at my fleshy bruising fruit
Body that trapped me inside of it
Could still help something else grow,
And I would return to the earth.
But still I don’t blame you
As you gargle and spit into the kitchen sink
Rinse me out of your system,
Till there are no traces of me left
And I watch, abandoned among banana peels
Full of fuzz, and old blooming bread
Rotten like me.
did you deserve my heart?
TARYN MULLINS
if i was too much to handle, like it was half-implied,
then i am happy to point you in the direction
of much easier people to build a life with.
but remember when i whisper in your ear
that they will not ever be half the person i am.
i want that to respectfully haunt you for the rest of time
when you constantly realize what an ethereal soul you lost.
May 23rd
PAMELA MARINO
4:57 pm. Washing off my pan, I start to make dinner. It’s just me, but I still make enough for two. Some nights I grab your plate and set it next to mine. I still buy your coffee creamer, your favorite sodas, even those little soups you’d bring to work. They collect dust on the shelf and I force myself to drink them before they expire, but I don’t want to drink them. I bought them for you.
I still make your favorite meal on your birthday. Every year, May 23rd, 5 pm hits and I start breading the chicken. I preheat the oven to 450, and I use name-brand cheese and sauce because today is a special day. While the pasta is boiling and the chicken is baking, I watch the door. I hear the click of the turning knob, I see you stumbling in, exhausted. You’re taking off your shoes, letting your hair down. Your eyes light up as you realize I remembered, your forehead creases, and your eyebrows raise. I watch the dead air in front of me and you make it feel so alive.
Every year, May 23rd, I serve myself your favorite meal and I can feel every piece of you that was left behind for me. Your warm winter hats, your perfume, and your lipstick, your Nona’s cookie recipe (of which I was sworn to secrecy), your emerald ring, the pebble you picked out of the dirt because you liked the way it sparkled, everything. I remember you and I imagine the person you would be today, everything you could have taught me, where would the world have taken us?
I know you’re not coming back, but I will always love you, and it feels right to remember the way we loved each other.
Epiphanies in Prose
HANNAH ROSE
I used to hear your voice bestriding the highest winds
that has since been replaced by the sound of
Artemis calling me home.
Mourning you became a ritual;
in the absence of it, I am finally beginning to heal.
I string beads of rose quarts through my hair
and dance around ancient stones
that make up the ruins of us.
No more is your lyrical laugh,
our effervescent love,
and my cynosure philosophies.
Now: my luminescent future,
ivy youth,
and epiphanies in prose.
We are forever vines intertwined,
but never so tangled that
I should ever lose myself to you again.
My Big Thighs
Pants never fucking last.
These ripe thighs
are fuzzy friction peaches,
juicy with grief
and worn away crotch.
Without dutiful reinforcements,
powder and 6 inch briefs,
my beautiful skin
will spark
like a bottomed out car.
I won’t ever have
to worry about being
stranded on an island…
Getting fire would be
the easiest thing;
wedge some dry grass and a few
twigs between my legs
and walk
walk
walk.
POEMS BY HUNTER HODKINSON
No Beauty Left And Yet I Strive For It
why is my value centered
upon my wide opened hand,
dust penniless and
void of validation?
why do I know longer write
to convey
but to curate
moments like museum
artifacts polished
for dumbed down
eyes to gawk?
how, so young,
have I been stifled
by the industry,
like a fruit fly
to an apple-less core,
picking and searching
for nothing,
no sweetness
left to suck,
pretty to pillage?
all that remains
is an odorous pointlessness,
stinking in omnipresent haze,
a misty mysticism
missing culture and craft.
Bone Collector
TEAGUE JOHNSON
She finds old, aching things
almost everywhere that she goes
Sometimes in the most obvious places, like
a sideways barn or a garage sale
and sometimes in unexpected ways: a necklace
I never wore that caught her eye, half-smoked
cigarettes on the cement.
She knows how to get
the things with good bones,
and even if they don’t quite shine the same
as they might’ve a long time ago she
still puts them on a shelf in her room or
leaves them hanging
off the mirror in her car.
She’s a scavenger. And a giver of sorts:
of sweet, folded up words and small flowers that I keep
even when they wrinkle
the very next day. She collects
pieces of the world and I collect pieces of her
and display them like in a museum
Neatly kept keepsakes
towering against the walls
and creating shadows on my floors
And I wish sometimes she’d collect me,
find me in an abandoned house and like my bones
enough to drape me along her shelf too.
Cypress
REBECCA EYRICK
Cypress Cypress since you sprouted
I’ve been spitting seeds but snorting pollen
It’s all a balance I’ve realized
Do you take more than you give
What can you give then besides grief
A grinding of teeth into dust for garnish
Or a chalice of calf’s blood dribbling down my chin
You deliver these to my dreams and I
Try to cut your roots how else
How else can I cope with you
Besides, What you’ve taken has cost me
A lifetime to recover
Your overgrowth something holy and sickly
All at the same time, growing over
My grandmother’s face I see you creeping
Towards my nana’s phalanges and I machete you
Into mulch don’t touch us again please
Yet I have to worship you when you force me
On my knees as you do now and again
I’m trying to see your beauty I am
But your omnipotence leaves me shaking
When I was a child I feared you most
Bawling into my mothers chest for you
You grow by the day and I peer side-eyed
Pretending to dare you to a battle I know
I’ll lose don’t face your weapons
Towards me yet your roots spread
And you bloom while I sit here
Dressed in black and swallowing tar
Oh mighty oh fearful bleed me dry
Selkie
KAY
When we emerge from the sea we are completely dry. As if we had been up on the rocks the entire time, staring down at the ocean, instead of rolling along with the waves that froth and bubble on the shore.
There are a dozen of us or so, and although we are all different shapes, sizes and colours, we are all beautiful. With our matching pearl eyes, that glimmer rose pink in the sunlight, and whitest-of-white smiles. There isn’t the slightest possibility we could be mistaken for humans, not when our hair is as thick as seaweed, our laughter like the gentle melody of a pan flute. We are every bit encapsulating.
We are every human’s wildest dream.
My sisters and I crunch our toes in the lukewarm sand, amongst the torn-up shells that are as old as they are singing under our feet. We make our way to the rocks that hold the secrets, keeping our coats as close as possible. Dana knows what might happen if we drop them, and although this is my first trip above the water, my sister’s warnings have frightened me enough to know that it’s not good.
A mass of coal-grey rocks stands firm and tall, full of cracks given by the tides that crash against them. We start searching for the crevices, the nooks-and-crannies that hold what we are looking for, until my sister Marta pulls out a purple shirt. Flurries of vermillion, cobalt and lemon begin to fly out, and I am bombarded with soft cottons and velvets that feel foreign against my bronze skin. I take a moment to run my fingers - actual fingers - along the hemlines of the clothes, until one of my sister’s snatches it right out of my hands.
‘Don’t just stand there, Bride’ she snaps, as harsh as a bite of her sharp teeth, red hair blowing around her grimacing face.
I reply with a scowl, then look at the material that is left in my hands: a pink, summer dress, covered in ruby-red fruits. It seems too wide, too open and airy for the bitter winds that caress my body. But we have been living amongst the cold all our lives, down past the crags and deep beneath the spruce sea, learning the art of being human. Slowly, carefully, I lift the material over my head and let it fall down over my body, allowing the skirts to puff up then flutter down against my legs.
‘Bride,’ Marta calls me over her voice as smooth as a seashell. She is our leader, but also the closest thing we have to a mother. Her face, although wizened with age lines, holds knowledge that my sisters and I can only dream of uncovering. ‘Remember what I have told you.’
‘Yes, Marta,’ I reply, hearing the voice that Dana has given me for the first time. I sound as lyrical as my other sisters, syrupy sweet like a melody. It’s disorientating to hear such a voice come from my own mouth, not when I am so used to the yelps and cries of my more familiar form. And despite the way my mouth knows exactly what to say, I am uncomfortable with this sudden change. I want to grab my coat and return to the waters, but I know Marta would never forgive me for letting her down.
‘Repeat it to me,’ she commands me, ‘now.’
‘Do not let any human give me my coat,’ I respond.
‘No,’ she says, crossing her arms. ‘Do not be foolish enough to lose your coat in the first place.’
And with that final warning, Marta turns away from me.
* * *
Inside of the pub, the stench of ale mixed with salty sweat is so pungent it makes me ponder as to why any human would enjoy their time here, nevertheless why they would choose such a hideous place to spend that time. The walls are covered in a deep, rich scarlet velvet, pictures of sepia-coloured fishermen and their tin-boats lining them with patches of unknown stains dotted around. Thick, oaken planks and glass lanterns filled with cream-coloured candles hang low from the ceiling, and the matching chairs and tables are cluttered together, filled by old men with salt-and-pepper beards that laugh far too loudly. Behind the dark oak counter stands a man with a head full of red, curly hair, and further beyond lay dozens upon dozens of multicoloured glass bottles, the blues and greens sparkling from the sunlight that is seeping through the open windows. From a jukebox that stands awkwardly in the corner quietly plays a song, featuring a voice so smooth and passionate that I cannot help but wonder if it belongs to one of our kind.
At the table across from me, Marta is holding hands with a man who is gazing deep into her eyes; her husband, the man who comes to feed us fresh fish in the summer whilst we lounge upon the rock bed, too lazy to go in search of our own meal. He seems like such a lonely man when he comes to visit, but now, sat here with Marta, it looks like those lonely days have been worth it - like he would never want to be anywhere else. Perhaps that is the result of our pheromones – or maybe it is just love.
Love. I wonder what it must be like to love? My sisters tell me that it is nothing but a binding trap, just like the net’s humans use to catch our fish; nothing good ever comes out of it. Love isn’t worth the desperation you feel when you lose a coat, they tell me.
But I see the small smile on Marta’s face, the warmth in her rose eyes. Marta, the wisest of us all, our makeshift mother, who caresses his hand with her dark-brown thumb and whispers into his ear another one of her secrets – a secret between only them.
Is that what love is? Sharing secrets that you wouldn’t normally share? Casual touches between one another? I glance to my right, where a full-length mirror is propped up against the wall. In it, a girl with caramel curls and freckled skin is holding her own hand, clasped together like an oyster protecting a precious pearl. Her thick eyebrows are furrowed, her plump lips slightly pouted – her blush dress flowing over her curvy body. I recognise her dress to be the same one I am wearing.
It takes me a moment to realise that this girl is my own reflection. No soft pink blubber or wiry whiskers or beady black eyes stare back at me, like I would suspect to see in the reflection of the water, but instead an alluring young girl. She looks like the type of girl who could fall in love. A smile breaks across her – my – face.
‘You seem happy.’
Marta speaks to me from across the table, her voice mixing with the melody of the song that is faintly playing.
‘I am thinking about love,’ I tell her.
‘Love?’ Marta scoffs. ‘Don’t be so foolish, Bride.’
At this, her husband’s face droops like the petals of a dying flower. He takes a swig of beer with his free hand, refusing to look at Marta. I feel myself feeling sorry for him.
‘What is so bad about love?’ I ask her, pouting slightly.
‘Nothing,’ Marta responds. I blink. ‘And yet, everything about it holds danger. That is why it is best you do not make the equally dangerous mistake of dropping your coat.’
Boldly, I say, ‘but you are in love, Marta.’
Marta is silent for a moment. ‘Yes. But I did not drop my coat; I left it for him to pick up.’
There is something about the way she says this, with an air of finality, that makes me want to cower and curl up into a ball. A Marta secret, spilled over stained carpets and warm beer, something precious to be treasured used against me like a slap in the face. My sisters, who have been left to their own devices within this seaside town, would be jealous of my position… but I cannot help but feel as if I though I’ve just been told off.
I stand up, chair scraping against the knotted rug, and head over to the bar. A girl with skin as beautiful as Marta’s is sat there, playing with a camera, half a glass of Coca-Cola in front of her. Her full, pink lips are pursed, thick eyebrows furrowed, as if her camera is a mysterious puzzle that she is trying to solve. Her hands move delicately over the camera as if not to break it, half covered by her cream-coloured sweater, and her golden afro that looks as soft as a cloud gently bounces with each movement of her head.
I feel clumsy, uncertain words begin to form at the back of my throat, but I catch them before they spill over and make me look like a fool in front of this beautiful girl. I know Marta is watching me, her pink eyes identical to my own boring into the back of my soul. It makes me breathe that little bit heavier, clench my fist that little bit tighter, until -
‘Are you wearing contacts?’
I almost fall out of my chair at how mesmerising her voice sounds. She doesn’t have the same heavy accent that the people in this pub seem to have, the same accent that I seem to have acquired. It shocks me out of my thoughts, pulling me from my own mind back into the heat and warmth of the pub. I turn to her, and she’s staring at me, an eyebrow raised and a light smile on her face.
‘Sorry, it’s just…your eyes look amazing,’ she tells me, her smile growing wider. ‘They have to be contacts, right?’
‘They’re real,’ I respond, a surge of fervour passing through my body, encircling my bones and making me puff-out my chest.
The girl’s jaw drops, and all of a sudden, she leans forward, so close that our noses almost touch. I can feel the heat that was caressing my bones shoot up towards my cheeks, and for some curious reason, my eyes dart towards her lips.
‘That’s incredible,’ the girl whispers, then flings back and gestures towards her camera. ‘Mind if I take a couple shots of you? I’ll be quick.’
I’m saying yes before I truly understand what’s being asked of me. In a swift second, the girl grabs my hand and pulls me out of the pub. My eyes find Marta’s, who sits rigidly in her seat. I feel bad for displeasing her, but then I turn to look at the girl and all my guilt washes away, like a wave breaking the shore.
We stand a couple of feet apart on the brick pathway, the beach an equal distance away from the pub, the bitter wind blowing our hair into our faces. Strange humans walk around us, and I catch little titbits of their conversations, adding up to one big story in my head. The girl shivers, and I have the urge to wrap my arms around her.
She positions me just behind the paled sun, and although she is talking to me, her words turn into a faerie’s song, a gentle melody like the soft chiming of bells. I hardly notice when she gets close to me, only focusing on her creamy vanilla scent, her amber eyes that glisten not from the light, but from the pure excitement that is driving her.
‘Bride!’
Marta’s stern voice cuts me out of my daydream, snapping me back into reality. She’s standing there, her husband at her heels like a lost puppy, and she doesn’t look pleased.
‘We’re going,’ she demands, grabbing my arm and pulling me towards the beach, where the salty water beckons. I was so caught up in my own fantasies that I didn’t realise the beautiful girl had gone from my view. Panic floods my system, and I pull away from Marta.
‘No! I’m staying here!’ I cry out.
‘Oh, you’re leaving?’
Hearing the girl’s voice makes my stomach turn acrobatic and the blood rush around my body like dancers’ twirling silk strings. It takes me a second, and the sound of Marta’s defeated sigh, to realise what the girl has in her hand.
‘Don’t forget this,’ she smiles innocently, holding out-
-my coat.
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